Well, he’s gone and done it again.
Listen, watch, enjoy. I present you "The Kingdoms of the Earth"
If you’ve been following my rants, you’ve probably come across my rants (for they are rants and not "reviews" as I have trouble taking myself all too seriously to call myself a "reviewer") on Cadence of Your Tears and
then The Ascetic Paradox. And if you have come across those rants you’re
probably familiar with Sanjeev Niles already - the talented fellow who could
have made us open-mouthed lot topple over with one flick of his fingernail after hearing his
music for the very first time. If you haven’t read the rants (how dare you
mortals ignore the noble and wise words of The Lady!) I suggest you go and read them now for he is an artist quite worth
knowing.
In this era of the Great Plastic Plague, finding something that
moves you is practically impossible. Everything has been turned to plastic - people, friendships, relationships, the thing that we gloat and label as love, nothing really moves us anymore and we in turn, have built up an internal resistance, a sort of an outer shell if you may, to protect ourselves from the dry and harsh wastelands that life has now become. And unfortunately, the more delicate forms
of art like music and literature too have been thus touched by this great
moldering hand of demise and decay. But once in a while comes a song, an exquisite creature on luminous butterfly wings, a sheer
melodious genius that literally sweeps you off your feet and sends you hurtling
forward through the cosmos into a world of sublime delights.
Kingdoms of the Earth for me was one of those rare ones that
left me hazy eyed for a good few minutes after the first listening. And after
listening to it a good 15 times or so, (and with the song still playing in the
background) I start typing this post. I wanted to share it with the world, to
shout out “look here, have a long, lingering listen to this sparkling little
gem spreading its wings in your cupped palms like a magical winged creature
ready for its first flight!” but had to restrain myself when I was told to hold
my horses as then it had not yet been officially released. So hold my horses, I
did.
“In another age, in another time,
Our souls be lost,
And then you will be mine……”
The song ends on a philosophical note which had my heart in knots.
Kingdoms of The Earth is a song of longing, a song of pain,
but with a sweet lacing of hope that pierces through its quaint romantic heart
which bleeds out poetry in whoever that hears it. It starts off softly, with the
distant wailing of the violin punctured by weighty piano notes. Sanjeev’s deep
baritone gently touches this harmony at first. And then it plunges and soars,
plunges and soars taking your heart along with it into the faraway lands
soar(ing) over the Kingdoms of the Earth. The deep, resonating drums beat like
a heartbeat in the varied background – earthy and necessary, strangely echoing
the profound thump of Sanjeev’s voice at the places where it ceases its smooth
gliding across the notes, leaving space for thoughts to stream in. It’s an
invocation uttered in the deep and cavernous vaults of the earth, it is a
beacon of hope, like moonlight filtering through the foliage, it is an
imploration that even the most hard-hearted cannot ignore. Simply said, it is
capable of moving mountains and oceans with the emotions it summons forth.
It is layered, it is accentuated at places that leaves your
heart in your throat at times, it is hauntingly beautiful, so lusciously
resounding that it cedes delicious echoes resonating within your whole being. It
is the bitter-sweet pain of all the lost loves in the world rolled together
with that undying hope of unrequited love – toothsome, yet sad. It pulls you
apart at the same time draws you within yourself and leaves you warm and cozy,
a fragile bird nesting within its homely stead. Like Cadence, it has those
unmistakable gothic nuances that I have now begun to understand as Sanjeev’s own
watermark. And what a wonderful watermark it is!
Kingdoms of the Earth has an unmistakable medieval feel to
it with a touch of Celtic magic and you cannot help but have image reels of
mist robed, hazy highlands, high stone castles and medieval knights on valiant
steeds running nonstop through your head. This especially speaks to my heart, and
not surprisingly so, given my long standing infatuation with the Celts and
their healing music as well as my romance with all things lovely and medieval.
I mean, who doesn’t like dungeons and dragons and swords and bloody battles!
And the most fascinating thing about the song? That it does
not even need lyrics! You see, when it sings of fading candlelight you have
already seen the flickering flames in your head. When it sings of breath on
neck you almost feel the slight breeze touching your skin in the darkness, even
before the actual words had registered in your mind. The music has
already set the mood, the tone and the situation and this to me is pure (and
very rare) genius - combining meaning with sound, creating the exact mood,
catering to the exact words. Simply marvelous.
Needless to say Sanjeev has an exceptional voice - powerful,
evocative, earthy and piercing, all at the same time. Therefore at certain
places I have felt that the potential of these behemothic lungs has not been applied
full charge in this particular song. Personally I would have liked a bit of
punch towards the end, for the music to die a natural death and the voice to
take charge and create a memorable vocal imprint upon the mind. I would have
liked the vocal chords to have opened at full blast and wail out the pain, the
anger in one powerful, excruciating stroke. On the other hand I can argue it
the other way as well. A song about lost love requires softness, a sort of
nostalgia, a yearning for the past. It must need that delicate ending and
indeed it ends in a longing note. If that was Sanjeev’s take on the song, he
has accomplished it rather marvelously. And further goes on to display the
individual’s versatility of voice in giving wings to a rather heavyweight
baritone. Therefore in this I remain conflicted.
This song did not come as a surprise. Having proven his
prowess with Cadence, I should say that we expected nothing less. And true to
his nature, he did not disappoint at the least. And being a part of a larger
collection (an album) this song has only made us impatient to hear the rest.
And as for Sanjeev and all this very apparent talent that
has just been lying around undetected, undemonstrated, I have just one single
sentiment I would like to express. As my partner very spontaneously exclaimed
after the first hearing of the song, I shall now echo his exact words. Sanjeev,
“WHERE the HELL have you been hiding men?”